Archive for the ‘Music/Piano’ Category

Maison Ikkoku Orchestral Soundtrack Project ( Remake )

Friday, November 7th, 2008

I’ve decided that I will extend what I did with an earlier piece of music from Maison Ikkoku ( A Bell Rings at Dawn ) to other pieces from the Maison Ikkoku soundtrack. This will basically culminate in an album of sorts, an orchestral album of Maison Ikkoku orchestral arrangements containing somewhere between 5-10 pieces of re-done music pieces from the original soundtrack along with some piano versions….

(Click read more for the links)
Latest addition: “Yoru no Ame”..

Maison Ikkoku Sheet Music & Music Review

Saturday, October 11th, 2008

I’ll start off this post with a link and video. When I really enjoy a film or series, and I also happen to enjoy the music and/or identify it strongly with the work in question, I typically feel compelled to write sheet music for it. Maison Ikkoku is certainly no exception. So here is some sheet music for a piano arrangement of “Kanashimi yo Konnichiwa”.

http://omohide.com/theowne_maison_ikkoku.pdf

And here is a video of myself playing the piece:

http://www.youtube.com/watch?v=e0n2gLBJInw

Now, let’s continue on to the general music review. Maison Ikkoku is an older series, so the music may sound a bit outdated at times. For example, there are several string pieces that I think are quite good compositions but the older recording gives them a somewhat harsh quality. But the melodies retain a…..

Zubin Mehta honored by Itzakh Perlman and co.

Friday, May 23rd, 2008

First Arabesque, Debussy

Thursday, August 23rd, 2007


This was the first Debussy pieces I learned, and is still a favourite of mine. It’s an early Debussy piece, and is very simple and pleasant. It is very accessible and sure to put a smile on any listener’s face, and it’s also a treat for the performer due to the movement and grace - but without any excessive difficulty.The biggest difference of interpretation in the piece is the tempo. I’ve seen some play it very, very slow while others, such as myself, take it at a more brisk pace. Although I try to stick to the composer’s intention as frequently as possible, I admit that perhaps in this case, I am taking a bit of a liberal interpretation in terms of tempo. The actual markingcontinued)